Analogue Interference was a solo exhibition at Spike Print Studio in Bristol, following the the year-long Peter Reddick Bursary for Innovation in Relief Printmaking residency. The body of work explores the theme of identity and consent in the post-digital age. Portraits are blurred and pixelated. Digital noise is introduced.
Leonie digitally disrupts her mark-making and her experiments in process have led to screenprints, photo-etchings and large-scale relief prints that explore the crossover from analogue to digital and back to analogue. These prints have a minimalist aesthetic disconnected from their original identity.
Much of Leonie’s work is removed from context: at once embracing the intricacy of wood engraving and creating the potential for much larger images, she uses a tonal range to make systems-based visual narratives.
